RCO: Gatti Conducts Bruch & Mahler featuring Janine Jansen
Royal Concertgebouw Orchestra
•
1h 30m
The Royal Concertgebouw Orchestra's chief conductor Daniele Gatti and star violinist Janine Jansen unite in a virtuosic performance of Max Bruch’s Violin Concerto No. 1. Listening to the concerto, with its sweetly flowing melodies and blazing solo passages, one would never know that it took Bruch four years to write. The program is rounded off by an unconventional and thought-provoking presentation of Gustav Mahler’s Symphony No. 1. At the premiere in 1889, the audience was ill-prepared for Mahler's bold orchestration, but the symphony gradually gained popularity. The Concertgebouw Orchestra, conducted by the composer himself, gave the Dutch premiere in 1903 with Mahler absolutely delighted exclaiming, "The musical culture in this country is stupendous. The way the people can just listen!"
Composer: Max Bruch, Gustav Mahler
Conductor: Daniele Gatti
Venue: Concertgebouw Amsterdam
Orchestra: Royal Concertgebouw Orchestra
Cast/Soloist: Janine Jansen
Program: Bruch - Violin Concerto No. 1./ Mahler - Symphony No. 1
Genre: Concert
Up Next in Royal Concertgebouw Orchestra
-
RCO: Antonini Conducts Bach, Haydn & ...
Performing music by Johann Sebastian Bach, Joseph Haydn and Wolfgang Amadeus Mozart, Italian maestro Giovanni Antonini, a leading pioneer of the Italian period instruments movement, conducts the Royal Concertgebouw Orchestra joined by cellist Giovanni Sollima.
Composer: Johann Sebastian Bach, Jo...
-
RCO: Chan Conducts Tchaikovsky
The Royal Concertgebouworkest starts its 2019 season with a festive inauguration dedicated to Pyotr Ilyich Tchaikovsky, illustrating the diversity and richness of his oeuvre. Hong Kong-born Elim Chan – one of the most exciting conductors of the younger generation and admired for her unique combin...
-
RCO: Jansons Conducts Bruckner and Haydn
In many ways, Joseph Haydn and Anton Bruckner are polar opposites. Haydn was a natural talent, while Bruckner was a late bloomer. Haydn was self-assured, while Bruckner was plagued by insecurity and often plodded along laboriously. However, both produced outstanding music as evidenced by Haydn’s ...
